One of the more blatant proofs the reprobate Jews have sought to deliberately subvert and destroy decent Christian Gentile America is, of course, found in their propaganda of Hollywood movies and use of the mainstream media in general to foster their evil global takeover agenda. Most decent folk would find it hard to understand why anyone, Jewish or otherwise, would want to spend their whole lives plotting retribution and iniquity against the rest of humanity, who just want to live and let live and get on with their lives.
But when you understand that the Jews have sold their souls for the love of money, and with that forfeited the redemption God had for them in the gospel by rejecting his son Jesus Christ, you realize that they’ve had nothing left to lose since the first century, and might as well destroy as many of the hated Christians and Gentiles they can, before they too descend into the fires of hell beneath the earth.
The other thing is that the Jews have, of course, based the scam of their religion of so-called Judaism on the idea that Jews have been safe from God’s judgment, since they rejected Jesus and the gospel in the first century, because they’ve either been racially or religiously Jewish, and hence either racially or religiously superior to all others on the planet, as ostensibly alone the “chosen of God”.
This almost unbelievably arrogant and patently ludicrous racial and religious supremacist ideology has, of course, required of the Jews that they not only generally despise and deprecate all of the rest of humanity, but in particular militantly seek to deprecate and ultimately largely eliminate White European Christian Gentiles; because Jews, of course, see them as the best of humanity in a biological and religious way, and hence a threat to the whole concept of their national supremacy and religious security before God.
Once you’ve familiarized yourself with the way the Jews have used Hollywood and mainstream media propaganda to subvert the bastion of the traditionally righteous cultural mores of their enemy Christianity, and to morally, culturally, and politically destroy White European Gentiles in their ancient and colonial homelands, you’ll be able to quickly spot “the Jew” in almost everything you watch in TV Land and are confronted with in the media on a day-to-day basis.
In fact most movies in the West, since the 1970s, have had the Jews’ anti-white, antichristian agenda in them somewhere. Even if it’s just something simple, like putting a cross around the neck of the leading criminal protagonist and a hexagonal star somewhere on the ‘good guy’ (like a hexagonal sheriff’s badge), or a Jewish actor on the side of the right, to make people think Christians are somehow evil and the Jews good, by that symbolism, in a subliminal way.
Check out the following video …
Writer for the Occidental Observer Edmund Connelly exposes how self-resentment and the notion of cultural pathology have been deliberately, malevolently, and militantly planted in the minds of White European people by Jews, through Jewish scripted, Jewish directed, and Jewish produced Hollywood movies.
Before the Internet revolution, this kind of ethnic intellectual warfare could be waged covertly and with relative impunity due to the effective Jewish media monopoly. Those days are over, and Jewish Hollywood’s racist propaganda of defaming whites and white culture in movies and television is being exposed to a critical and intelligent audience worldwide.
Further reading and viewing …
The Jew controlled mainstream media would have us believe the Red commie ‘Witch Hunt’ in America in the early 1950’s was almost entirely the work of a deranged alcoholic named Senator Joseph McCarthy. But Joe McCarthy was, of course, the good guy opposing the Jews’ intention to sovietize America under a sock-puppet of the ilk of Barack Obama.
About the speaker, Myron Fagan, in the following videos …
He arrived on Broadway in 1907, 19 years old, the youngest playwright in the history of the American Theater. In the following years, he wrote and directed plays for many of the greats of those days including Mrs. Leslie Carter, Wilton Lackaye, Fritz Leiber, Alla Nazimova, Jack Barrymore, Douglas Fairbanks, Sr., E.H. Southern, Julia Marlowe, Helen Morgan, etc, . He directed Charles M. Frohman, Belasco, Henry W. Savage, Lee Shubert, Abe Erlanger, and George M. Cohan, among others. In the 5 years between 1925 and 1930 he wrote, personally directed, and produced twelve plays: The White Rose, Thumbs Down, Two Strangers from Nowhere, Mismates, The Fascinating Devil, The Little Spitfire, Jimmy’s Women, The Great Power, Indiscretion, Nancy’s Private Affair, Smart Woman, and Peter Flies High.
During his early years, Mr. Fagan was also Dramatic Editor for The Associated Newspapers, including The New York Globe and various Hearst newspapers. But in 1916 he took a sabatical from the theater and served as Director of Public Relations for Charles Evens Hughes; the Republican Candidate for the President. He refused a similar post offered him for the Herbert Hoover campaign in 1928. Mr. Fagan’s career thus encompassed the theater, journalism, and national politics. He was a proven expert in all those fields.
In 1930, Mr. Fagan came to Hollywood where he served as Writer Director with Pathe Pictures, Inc., then owned by Joseph P. Kennedy, father of the late President Jack Kennedy, and also at 20th Century Fox, and other Hollywood Film Studios, but he also continued in the Broadway legitimate field.
In 1945, at the urgent request of John T. Flynn (the famous author of The Roosevelt Myth, While We Slept, and The True Story of Pearl Harbor ), Mr. Fagan attended a meeting in Washington D.C. where he was shown a set of micro-films and recordings of the SECRET meetings at Yalta attended only by Franklin Roosevelt, Alger Hess, Harry Hopkins, Stalin, Molotov, and Vishinsky when they hatched the plot to deliver the Balkans, Eastern Europe and Berlin to Stalin. As a result of that viewing, Mr. Fagan wrote two plays: Red Rainbow (in which he revealed that entire plot) and Thieves Paradise (in which he revealed how those men plotted to create the United Nations to be the “housing” for a so-called Communist, One-World Government).
At the same time; Mr. Fagan launched a one man crusade to unmask the Red Conspiracy in Hollywood which had set about to produce films that would aid that One World Governement plot. Out of that came into being the Cinema Educational Guild. As a result of the work of the CEG headed by Mr. Fagan in 1947 came the congressional hearings at which more than 300 famous stars, writers, and directors from Hollywood, Radio, and TV were unmasked as the chief activists of the Red Conspiracy. That was when the infamous “Hollywood Ten” were sent to prison. It was the most sensational event of the decade.
From that time on, Mr. Fagan has devoted all of his time and efforts to writing monthly News Bulletins for CEG in which he has kept up the fight to alert the American people to the plot to destroy the sovereignty of the United States of America and the ensuing enslavement of the American people in a United Nations’ One World Government.
In his sensational recording [this transcript], he reveals the beginning of the One World enslavement plot that was launched two centuries ago by one Adam Weishaupt, an apostate Catholic Priest who- financed by the House of Rothchild-created what Weishaupt called the Illuminati. Mr. Fagan describes with documentary evidence, how this Illuminati became the instrument of the House of Rothschild to achieve a One World Government and how every war during the past two centuries was fomented by this Illuminati. He describes how one Jacob H. Schiff was sent to the United States by the Rothschilds to further the Illuminati plot and how Schiff plotted to get control of both the Democratic and the Republican Parties. How Schiff seduced our Congress and our Presidents to achieve control of our entire money system and create the Income Tax cancer and how Schiff and his co-conspirators created the Council on Foreign Relations to control our elected officials to gradually drive the U.S. into becoming an enslaved unit of a United Nations, One World Government.
In short, this recording is the most interesting, the most horrifying – and factural – story of the most sensational plot in the history of the World. Everybody who loves our country – who loves God – who would save Christianity (which the Illuminati is dedicated to destroy)- who would save our sons from dying in Korea, in Vietnam, in South African, and now on the battlefields of the Middle East, should hear this recording. There is absolutely no doubt that anyone who does hear this amazing story will join in the fight to save our country and our nation’s youth.
Here’s the awesome series of vids based on Jewish informer Myron Fagan’s revelation of the Jews’ Red conspiracy back in 1967 … Fagan’s emphasis on the Jews’ plot to communize America is just as relevant, and more so, today …
For an audio only version of what’s recorded in the above vids, go here …
For an online transcript of the audio, go here …
Recommended further reading:
In 1945 Fagan wrote a play called “Red Rainbow” which was concerned with the threat of domestic Communism to the security of the United States. There was solid opposition to its production from the pro-Communist elements in the New York entertainment world, and Fagan was unable to secure the requisite financial backing to produce it. He then took the play to Hollywood, and found the opposition even more solid.
Two years later Fagan wrote and produced a play called “Thieves Paradise,” the theme of which dealt with Communism behind the Iron Curtain. There was considerable opposition to its production, but it was opened at the Las Palmas Theatre in Hollywood on December 26 1947. The leading man was Howard Johnson and from the time the production opened he was subject to a plan of telephone harassment which sent him to St. Vincent’s Hospital with a nervous breakdown after six performances, and the play was forced to close. The constant campaign of early morning threats to both Johnson and his mother was too much for him to bear and he was in no condition to resume his role even after he was released from the hospital. The matter was thoroughly investigated by both Actors Equity and the American Board of Arbitration, and the facts as related above were fully corroborated.
Read more here …