In 2002, the Jew Leonard Nimoy published a book of photographs entitled “The Shekhina Project.” Jews say the Shekhina is the “feminine” aspect of God, and the photographs in Nimoy’s book are sensual, erotic images of women draped in veils traditionally used to signify a Jewess’s modesty, and/or in phylacteries, part of the religious attire of male Jews.
The pictures proved controversial in the Jewish community, and while some Jews objected to the nudity, others were offended by a “sacrilegious” use of a woman’s veil and male Jewish religious attire. Indeed if Jehovah’s Shekhinah or the glory of God (i.e., the Divine presence in the form of a cloudy or fiery pillar and sometimes accompanied by a voice in the sanctuary of God) is to be construed as the equivalent of the Spirit of God, it could be argued that Nimoy’s use of the veil and phylacteries in his erotic and sensual photography is a Jewish version of the New Testament’s “blashphemy of the Holy Ghost”, which has never forgiveness, neither in this world, nor in the world to come (Matt. 12.31-32).
In his defense, Mr. Nimoy argued – evidently without citing specific sources – that he wasn’t the first to put the concept of his ‘art’ forward. “There are historical writings of famous Jewish women, daughters of rabbis, who have done that,” he said.
Nimoy has also gained notoriety for his “Full Body Project” photography.
Leonard Nimoy’s “Full Body” photography project features nude obese women in a pornographic way …
“For the last eight years, Mr. Nimoy, who is 76 and an established photographer, has been snapping pictures of plus-size women in all their naked glory.
He has a show of photographs of obese women on view at the R. Michelson Galleries in Northampton, Mass., through June; a larger show at the gallery is scheduled to coincide with the November publication of his book on the subject, “The Full Body Project,” from Five Ties Publishing. The Louis Stern Fine Arts gallery in Los Angeles and the Museum of Fine Arts in Houston have acquired a few images from the project. A few hang at the Bonni Benrubi Gallery in New York. (Their explicitness prevents the images from being reprinted here) …
His enlightenment came about eight years ago, when he had been showing pictures from his Shekhinah series — sensual, provocative images of naked women in religious Jewish wear — at a lecture in Nevada …
Initially, he was interested in replicating Herb Ritts’s popular image of a group of nude supermodels clustered together on the floor, and a Helmut Newton diptych of women clothed and then unclothed in the identical pose. Ms. MacAllister and some of her friends agreed to be his subjects. He then posed the women to simulate Matisse’s “Dance” and Marcel Duchamp’s “Nude Descending a Staircase.”
The Jew Leonard Nimoy is also well known as an actor, especially in his role as Spock, the half human, half Vulcan alien on the Star Ship Enterprise in the popular Star Trek television series, which had in its cast another Jew, William Shatner, as Captain Kirk.
It’s now widely known that Jews of the baser sort of predominantly Eastern European ethnic extraction have dominated and controlled Hollywood and the movie industry in America in general from its inception – see this article.
It’s also widely known that much of the depraved content of Hollywood’s movies has either been used by Jews to downgrade and defile the traditional Christian social mores in Gentile nations and/or to protray and celebrate the way paranoid, judicially blinded Jews on the run from God have viewed the world in Dispersion under the wrath of God since the Crucifixion.
But what is probably not so well known is that Jews in their deranged state, as alienated from God by their rejection and militant opposition to his Son Jesus Christ, have also used the movie industry (and much of the junk comic stuff and video games since World War II) to explain away what they know will be an imminent rapture of the true Christian church, and/or to celebrate their ideal of living in a Sci-fiction style, cabbalistic universe that excludes the very notion of Christianity and the Christian’s hope of a trinitarian deity ultimately ruling benevolently over a new heaven and new earth.
The foregoing is the real solution to the mystery that surrounds the “did it really happen” APOLLO 11 moon walk – the Apollo space missions have actually been named for the Jews’ leading Apollo-like Grail king (i.e., antichrist) who is to rule the world after the true Christians have left the planet in the mass exodus of their resurrection. In fact the entire NASA space exploration programme has been Jew controlled via their (predominantly Masonic) dupes and assets from its inception; and it has always been used by the leading finance Jews to fuel and undo an inflating Gentile economy, and to make a way for certain elite Jews to escape from and/or control the progress of the last great social cataclysm in conjunction with their dupes and assets holed up in special bunkers on earth built for that purpose and already operating worldwide.
The Jews’ quest for an ideal Sci-fiction, cabbalistic universe that excludes the notion of a trinitarian deity is the real meaning of the Star Trek TV series and explains the attributes of the half Vulcan protagonist Spock. Cabbalistic Jews actually believe the universe was created by a “sexual union” of the spheres of the Sefirot – a Big Bang of sorts if you like, and that Jews are a race apart from the Gentiles, in the sense that they alone are human and have literally come from outside the planet; and they even say Jews don’t have the same soul (ego) and genetic material as Gentiles who, they say, are mere beasts, as descendants of the apes according a theory that was Jewish long before Charles Darwin got hold of the idea.
Spock’s hand gesture, the famous Vulcan salute, may look innocent enough; but it’s really a secret sign that Jews used the adventures of the starship Enterprise, under the command of the Jew Captain Kirk, to celebrate a plot by the more radical of the elite among them who were using the NASA space exploration programme to provide themselves with a way to escape planet earth, just prior to the last great social cataclysm the leading finance Jews have been belligerently fomenting.
According to a NY Times article on Nimoy:
“Most people know him as Mr. Spock, the terminally rational Vulcan with the famous hand signal. (The signal, which he said was his design, is actually rooted in Judaism. It represents the Hebrew letter “shin,” the first letter in the word Shaddai, which means God) …
“Leonard Nimoy is more than happy to do it — the Vulcan salute, the gesture that launched a thousand spaceships. He does so easily, effortlessly: palm outward, fingers extended, the index and middle finger smashed together, the ring finger and pinky touching, the thumb sticking out on its own.”
In the biblical book of Numbers (6.24-26), Jehovah God commanded the Israelitish priests to bless the children of Israel; and the verses of the Priestly Blessing (Birkat Kohanim) are said to be some of the oldest in continuous liturgical use.
The words of the Priestly Blessing read …
“May the Lord bless you and keep you.
May the Lord let His face shine upon you and be gracious to you.
May the Lord look kindly upon you and give you peace.”
Up until the destruction of the Temple in 70 AD Jewish priests recited the Priestly Blessing daily, and in some synagogues it’s still performed each morning; but it’s now usually only recited in synagogues on the Sabbath, and in the Jewish Diaspora many synagogues perform it only on Jewish holidays, a time when most of the congregation is present.
According to one authority:
“When performing the Priestly Blessing, the Kohanim [also known as Aaronids] stretch their arms and hands forward. They hold their hands together palms-down. They split their fingers so there are 5 spaces: one space between the thumbs, a space between the thumb and first finger of each hand, and a space between the second and third finger of each hand.
It is believed that the five spaces allude to verses in Song of Songs (2.8-9). The verses state that God “peeks through the cracks in the wall.” In other words, God watches over and protects the Jewish people even when He is hidden.
This hand gesture has been popularized by the Star Trek television series, which used it as the Vulcan ritual of greeting. Use of this gesture on the show was suggested by actor Leonard Nimoy (Mr. Spock), who saw this gesture as a boy in synagogue when he peeked from under his father’s prayer shaw (tallit).
“When the Kohanim recite their blessing, members of the congregation are supposed to look away. One reason given is that it is easier for the Kohanim to focus on the blessing when the congregation isn’t looking directly at them. In addition, it is written in the Talmud (Chagiga 16b), “One’s eyes will grow weak if he looks at the hands of the Priests” while they are blessing the congregation.
The symbol of this hand gesture is often engraved on the tombstones of Kohanim. This hand symbol has become symbolic of the Jewish priestly class.”
The truth is, however, that Jewish priests (nicknamed “Aaronids”) are not at all of the line of Moses’ brother Aaron who fathered the priests in Israel in Old Testament times; and it’s plain that God wouldn’t be “peeking through the cracks in the wall”, when ostensibly watching over and protecting the reprobate, antichristian Jews even when he’s “hidden from view”, because God can see all things at all times and isn’t blessing the Jews so long as they reject and oppose his Son Jesus Christ.
The Aaronids in Jewry are, in fact, priests of the blood sacrifice under the high priest Satan; and by forming a V-shaped sign with their fingers they show that they more specifically serve Samael, the prince of demons in the ethereal and (ostensibly) the biblical angel of death. For Samael is the Jews’ version of the horned god Satan, and according to cabbala and rabbinical Talmudic literature he is both a good and an evil entity; and he was ostensibly a good angel when he smote the firstborn of the Egyptians in Egypt just prior to Israel’s exodus, and when the guardian angel of Esau, the patriarch of the Edomites, in Old Testament times ( (see See Yalkut I, 110; Sotah 10b in the Talmud, c.f., Zech. 3.1-3).
Indeed the Aaronids believe they’ve been commissioned by Samael to foster the Jews’ deliverance from the ‘Egyptians’ or what Jews conceive as the oppressive power of Gentiles, by offering blood sacrifices to Satan – especially at the time of the Passover in the form of ritually murdered Christians and Gentiles. The satanic nature of the Jewish priestly hand gesture is evident, because it’s imitated by the Devil’s hand gesture on some of the Devil cards of the tarot, especially the Pierpont Morgan-Bergamo/Scapini tarocchi Devil card, and the Rider-Waite-Smith and Tarot of Marseilles versions.
The right hand gesture of the Baphomet on the Devil cards of the Rider-Waite-Smith and Tarot of Marseilles decks is sinister and satanic, because its counterpart is the left hand gesture of the Hierophant card, which is in the form of a benediction.